For this music video he crafted a world that is drenched in epic fantasy.
Woodkid is the stage name for director/singer-songwriter Yoann Lemoine. One of the most visually stunning of the music videos that we’ll look at is Woodkid’s single, Run Boy Run. What’s interesting is that, to create some of the visual effects elements, the team of artists used techniques similar to what we saw in the behind the scenes of Interstellar. To get an idea of how GMUNK and his team put together the amazing effects shots in the video, here’s a great behind-the-scenes look at the practical effects. The resulting music video blends fantastic cinematography with impressive practical special design effects. Hansen contacted director/designer/artist GMUNK to direct the music video for See, Tycho’s single. Tycho is the brainchild of graphic designer and photographer Scott Hansen. It’s here that Wilson inserts his real creativity by building nice transitions between each layer. As the Traveler appears to have a heart attack, we watch as he drifts through several layers of consciousness. Music videos need to be creative and that’s what David Wilson did with the Tame Impala single Let it Happen. In the beginning we see that the cinematography isn’t anything groundbreaking, but then things change. Let’s look at other filmmakers who are close to making that transition or are working to take the art of the music video to the next level. The list of filmmakers is long and includes names like David Fincher, Spike Jonze, Gore Verbinski, Alex Proyas, McG, and Michael Bay. What you’ll find is that some really famous filmmakers cut their teeth in music videos before they made the transition to feature films. One avenue that doesn’t get as much love as filmmaking and commercials is the art of music videos. There are many ways for filmmakers to make a living and work on their craft. Check out these stunning videos and the directors behind them. tameimpala.Music videos are so much more than just simple promotional material. It’s a deeply personal statement, and a perfect closing song on one of the records of the year.
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Cause I’m a Man is full of apology, yet New Person, Same Old Mistakes is possessed of a hope to “be better”. The mellow funk and the sharp guitars on The Less I Know the Better is an unexpected delight, and Past Life’s spoken word verses about the ghosts of our life are complemented by a blissed-out chorus. It’s there in the heavy guitars on Eventually, a love-letter to breaking up (“but I know that I’ll be happier, and I know you will, too”). It seems like a necessary shift, and provides a certain clarity to Parker’s work and production. Themes of moving away from someone and something permeate the work.
Street life itself – those currents again.
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It showcases Parker’s lovely falsetto, and provides layers of interesting sounds, from flitting synths to a burst of traffic noise, which is code for the “world out there, and it’s calling me/It’s calling you, too”. Sometimes Impala’s synonymous psychedelic touchstones are playfully mingled with classic pop, as on The Moment, with its deep bass and swirling synths or the romantic Yes I’m Changing, which brings to mind something like The Cars’ 1984 song Drive. Yet it all sounds so natural, and part of the rich creative well that Parker is drawing from for this record, influences such as The Bee Gees and Roxy Music loom over an exploration of change. The album’s opener, the almost eight-minute Let it Happen, instantly scoops you up into Kevin Parker’s dreamy world, signifying some surprising developments – the trademark hazy guitars are not necessarily gone, but are instead replaced with a focus on bass, luscious synths, and a searching kind of percussion that drifts in and out from disco to trippy electronica. In many ways this brilliant record encompasses a sense of all these things, managing to sound both acutely personal and universal at the same time. The title of Tame Impala’s third full-length record – Currents – suggests a number of things something popular, flowing, a certain pace, electricity, and a course of action.
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